Olawale Gladstone Emmanuel Rotimi, best known as Ola Rotimi (13 April 1938 18 August 2000), was one of Nigeria's leading playwrights and theatre directors. The only way deemed best to avert this was to kill him What happens to this child? According to the play, this so-called uncle of Odewale referred to him as 'the butterfly who thinks himself as a bird'. Tororo, Tororo, Roro is a coincidental meeting of two fellows from Man Talk, Woman Talk, Tunji Oginni and Philomena James. Rotimi often examined Nigeria's history and local traditions in his works. We are sorry. In 1965, he married Hazel Mae Guadreau, from Gloucester Massachusettes; Hazel also studied at Boston University, where she majored in opera, voice and music education. "The Gods Are Not to Blame" is a modern updating of the ancient story of disgraced Theban King Oedipus. Saah Harris the point is that the gods wanted to make man understand that what ever has been fulfilled, cannot be tempered with. Ola Rotimis works are also a social satire and this publication will spur renewed interest in his satires. Barbara Goff and Michael Simpson 2007: c2 92-93. 87 pages. File size. The book is a great read, one that will have you envisioning every aspect of it, making it seem that you are actually watching a theatre performance. You have remained in right site to begin getting this info. : Odewale storms Kutuje with his chiefs flanking by his side, and is declared King by the town's first chief. Odewale immediately ordered men to bring Gbonka from Ipetu. In the last part Odewale leaves. Diminutive in size but a giant in drama in Africa, he was one of the best things that could have happened to the literary community. His father father does to Odewale what European colonizers did to Africa. We will preorder your items within 24 hours of when they become available. But it is set at an undetermined time in the Yoruba culture of Nigeria. [clarification needed] To prevent this from occurring, King Adetusa orders for Odewale to be killed. The Gods are not to blame was first performed in Nigeria at the Ife Festival of the Arts in 1968, has since been staged with great success across Africa Europe and the USA 88 pages, Kindle Edition Published November 26, 2017 Book details & editions About the author Ola Rotimi 21 books101 followers : Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/page/index.php : Kindly share this article via the links below: LinkedIn [2] Rotimi was the son of Samuel Gladstone Enitan Rotimi a Yoruba steam-launch engineer (a successful director and producer of amateur theatricals)and Dorcas Adolae Oruene Addo an Ijaw drama enthusiast. Sadly, I prefer Sophocles' writing much more than Ola Rotimi's. Alaka hails from the village of Ishokun. Line: 107 Odewale banishes Aderopo from the kingdom. Give as a gift or purchase for a team or group. Because of its subject matter, The Gods Are Not to Blame is the most accessible of his plays. In 2000 he returned to Ile-Ife where he lectured in Obafemi Awolowo University till his demise. The novel is set in an indeterminate period of a Yoruba kingdom. [5] He says that in post-colonial Africa, much of the blame over the suffering incurred by native Africans was the result of the colonial powers. was published in 1991. His last production was a staging of Man Talk, Woman Talk at the French Institute in Lagos, Nigeria. The Gods Are Not To Blame (2003 - 2004) 2003: Blue Raincoat's Factory Performance Space (Republic of Ireland) The Gods are Not to Blame (2005) 2005: Arcola Theatre (London, Greater London, England) The Gods Are Not To Blame (2007) 2007: Accra Centre for National Culture (Ghana) The Gods Are Still Not To Blame (2012) 2012: The Gods Are Not To . 4TH CHIEF: It is so, the blood of youth has left the head, the mind is weak. The manner in which he kills his father is revealed in a flashback when his childhood friend, Alaka, comes to Kutuje to ask him why he was not in the village of Ede as he said he would be when he departed at age thirteen. The story is a well-grounded literary piece on an unfortunate man named Odewale, the king of Kutuje. Man Talk, Woman Talk is humorous, as quintessential comedies from the author can be. At this moment, Aderopo came in and Odewale apologized for his wrong accusations against him. Learn more. Much of classical Greek drama derived from . Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. The only way to avert this taboo was to kill the yet innocent infant. I believe the problem of man is with man himself.The fact that odewale aided the people of kutuje,was not a prove of leadership mandate.The tragedy that befell kutuje people took its turn after the coronation of odewale as king by either Odewale or the people, without consulting the gods.In our days we make same conclusions when we make people who have helped us come through storms as Lord over our affairs. Meanwhile, king Odewale imagined a potential plot against him being overthrown by Aderopo, the son of the late king Adetusa. In conclusion, Google used its doodle to honour the late writer on the 13th of April, 2022 to mark his birthday. Get help and learn more about the design. (1985) Hopes of The Living DeadRotimi here depicts a different kind of leader: a selfless, result-oriented, committed leadership complemented by a followership that believes in the good of the generality of its members through the application of itself to the cause that is beneficial. Odebunmi (2008) then says, language, therefore, expresses the patterns and structures of culture, and consequently influences human thinking, manners and judgement. Aderopo gives good news to Odewale from Orunmila concerning the sickness going around the kingdom, but along with the good news comes the bad. After two years have passed, Obatala, the god of creation made the queen of kutuje conceive again, and this time she gave birth to another male child which the royal family named Aderopo. Baba Fakunle: A blind, old man, Baba Fakunle serves as a soothsayer to those who seek him. He also produced Tororo Tororo roro, a play of the Absurd, as a convocation play. Do you believe that this item violates a copyright? Book reviews, interviews, editors' picks, and more. Required fields are marked *. The theme of Sophocles' Oedipus Rex is skillfully transplanted to African soil. They have four children: Enitan, Oruene (Only daughter), Abiodun(Ola Jr) and Bankole. Follow authors to get new release updates, plus improved recommendations. Designed by The comical character Alaka, for example, represents Odewale's childhood growing up in the village of Ishokun. His orders concerning this quest as quoted from the play (story) states thus: 'We have sent Aderopo to Ile-Ife, the land of Orunmila, to ask the all-seeing god why we are in pain.' Who is to blame in the turn of events?This exciting and thought provoking play runs for 100 minutes is brought to the stage by the THESPIAN Family Theatre \u0026 Productions and our worthy sponsors who share in our dreams. The Epilogue: Two unpublished plays of Ola Rotimi. In the Yoruban culture, like many others, have symbolic. Would have been a five if not that the ending wrenched my heart. Rotimi's play has been celebrated on two counts: at first scintillating as theatre and later accruing a significant literary aura. Something went wrong. The Gods are Not to Blame Ola Rotimi Oxford University Press, 1985 - African drama (English) - 72 pages 5 Reviews Reviews aren't verified, but Google checks for and removes fake content when it's. Please use a different way to share. Many Nollywood actors, writers, directors and producers studied under him. Both run Hotel Kilimanjaro with different motives and a chance meeting between them elicits lessons as both share each others problems. Help others learn more about this product by uploading a video! SYNOPSIS OF THE PLAY The play is a modern dramaturgical experiment on the classical philosophical discourse concerning the concept of destiny and fate element which was started by . Odewale confesses that his life spiraled out of control when he killed a man. [1] An adaptation of the Greek classic Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land.[2]. He is summoned by Odewale to ask of a way to rid the suffering of his kingdom. Odewale married queen Ojuola who had four children for him. It is comical and the language used is a version of "Nigerian English" (for example: "Se you get?" According to Barbara Goff and Michael Simpson, "the play as an allegory of colonization and, indeed decolonization"[6] The events concerning colonization in The Gods Are Not To Blame represent politics in African history. Odewale says to the land that the biggest trouble today is not their sickness but instead the plague in their hearts. Line: 68 , Publication date People made dramatic entry and exit to the stage around his casket with the man turning his casket. , Publisher The scene is a court though devoid of the usual technicalities of court rooms. In the former, Laius (Oedipus father) was told by an oracle that his son, yet unborn, would kill him; whereas in The Gods Are Not to Blame, the revelation comes from Baba Fakunle, an Ifa Priest, who sees into the future of the new born baby in his arms. "I called God on him"). Please try again. Goff, Barbara & Simpson, Michael, Back to the Motherland: Crossroads In The Black Aegean (97). Ola Rotimis works are also a social satire and this publication will spur renewed interest in his satires. Similar in nature to the Greek play, Oedipus Tyrannus his royal parents receive a prophecy from Baba Fakunle that Odewale would grow up to kill his parents. Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. I LEARN ONE BASIC DIFFERENCE BETWEEN THE AFRICAN TRADITIONAL NORMS AND THAT OF THE WESTERN WORLD WHICH IS AFRICANS BELIEVE THAT ONES DESTINY IS DECIDED BY THE GODS BUT THE WESTERNERS BELIEVE YOU MAKE YOUR OWN DESTINY WHICH I BELIEVE IS TRUE. However, Odewale, the new king of kutuje decided to know who killed the late king but was told that he was murdered by robbers. Out of fear and respect, Aderopo having got answers from the shrine of Orunmila in Ile-Ife was reluctant to tell the king about the outcome of his findings in public. Academic Questions in Literature in English. not so long ago the Yoruba formed a conglomeration of small, pre-industrial, mutually competing city states, as did ancient Attica . : Number of Acts and Scenes The play consists of three acts and ten scenes as follows; Ola Rotimi's The Gods Are Not To Blame is the series of unfortunate events that occur in King Odewale's life. BadlyThe Gods Are Broken!Against the GodsThe Gods are Not to BlameAmerica's Four GodsAnalysis and Interpretation of Ola Rotimi's The Gods are Not to BlameThe Gods are Not to Blame, a PlayTheatre of the GodsThou Shalt Have No Other Gods Before MeMen and GodsMagicians of the GodsThe Food of the GodsWhom the Gods Would DestroyThe Epic of . In the Yoruban culture, like many others, have symbolic. ASIN Please try again. The two plays were probably meant as an epilogue to both Rotimi's theatrical and comic careers, which span the entire spectrum of his career. : 1ST CHIEF: Your Highness, the man does not know what he says. You could purchase guide Gods Are Not To Blame Novel or acquire it as soon as . To this Rotimi argues that while some of the suffering may have been the result of attempted colonial conquests, the lingering animosity that is felt and dispersed among fellow Nigerians, by fellow Nigerians, cannot be blamed solely on an outside party. Scholar Odebunmi says, the concept of this is to understand referring to the actual context of a word said in a play (dialogue) has developed similarities with speech and how it works in culture. Photo: NZ Herald. Reviewed in the United States on September 16, 2014. He felt that the future of Nigerian culture cannot continue to be blamed forces from the past, much like Odewale would blame the suffering of his people, in his kingdom, on the sins of the old king, Adetusa. Are you sure you want to cancel your membership with us? The old man happens to also be his father, though Odewale is not aware of this at the time. The Summary of the Gods are to blame is about boy who was born and was fore seen to end up killing his father as to marry his mother,but he wasn't aware of that fact,until he ended up killing his father in a bush part and married his own mother ,then calamity befell the village ,when he became the king and all his children fell sick at the verge of dieing. Sorry, there was a problem loading this page. Function: view, Barbara Goff and Michael Simpson 2007: c2 92-93. What is the theme of the gods are not to blame? I am a teacher and have my MFA in playwriting, so I feel strongly that plays are meant to be performed. [9][10] It was nominated for an award at the ESB Dublin Fringe Festival 2003. : In an attempt to calm the accused king, the chiefs told him Baba Fakunle was mad. Brief content visible, double tap to read full content. It's about having power over the land and Odewale no longer has the power because the old man took it from him, which is why he turns a hoe, which is a gardening tool, into a sword. There are . His later dramas include The Gods Are Not to Blame (produced 1968; published 1971), a retelling of Sophocles' Oedipus Rexin imaginative verse; Kurunmi and the Prodigal (produced 1969; published as Kurunmi, 1971), written for the second Ife Festival of Arts; Ovonramwen Nogbaisi (produced 1971; published 1974), about the last ruler of the Benin empire; and Holding Talks (1979). Current wife of King Odewale. The contents of the paragraphs are not complete and not legible, Two-Hour Literature & Fiction Short Reads, Learn more how customers reviews work on Amazon. At this point we are introduced to Alaka, who claims to have known King Odewale since before he came to conquer Kutuje. Baba Fakunle tells him that the source of the kingdom's ails lay with him. Anyone seeking to familiarize themselves with african folklore or get a gist of the community setting must definately read this book. The son was their first baby. Odewale was henceforth disturbed with his identity, and subsequently went in search of answers. Rotimi spent the second half of his last creative decade reworking two of his plays Man Talk, Woman Talk and also Tororo, Tororo, Roro and the result, unpublished at the time of his death in 2002, have now been published under the title The Epilogue. His parents tried to stop fate by decreeing his death at infancy. Odewale narrated the story of how he killed a man who insulted the homeland he came from by calling them a bush tribe, while also attempting to steal from his farmland. The Oracle of Ifa at the shrine of Orunmila after consultations told Aderopo (who had come to make enquires) that the cause of sickness and death was the murderer of the late king, who now live peacefully in the land of kutuje. One finds that their roles compared to King Odewale's serve as a primary example of the social aspect. "Proverbs deal with issues that border on the values, norms, institutions and artifacts of a society across the whole gamut of the people's experiences. In 1966 he obtained an MA from Yale School of Drama, where he earned the distinction of being a Rockefeller Foundation scholar in playwriting and dramatic literature. The enemies of kutuje (which are the people of Ikolu) seized this opportunity to attack kutuje, but Odewale championed the war by leading the people of kutuje into battle. One of the chiefs was with him when this happened. Aderopo is also accused of spreading the rumor that Odewale was the one who murdered the old king, Adetusa. He brings his sick children for the town to see, that way they know that his family is also suffering. Later, Ojuola explains that Baba Fakunle made her kill her first born son, convinced that her first son had brought bad luck. . Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/user/popup_harry_book.php Owing, in part, to political conditions in Nigeria, Rotimi spent much of the 1990s living in the Caribbean and the United States, where he taught at Macalester College in St. Paul, Minnesota. For details, please see the Terms & Conditions associated with these promotions. Despite his best efforts to curb the prophecy that his child, Odewale, would grow up to take the throne by murdering him, he is inevitably slain when he encounters his son, now fully grown, in the village of Ede. Rotimi, a patriot who shunned the attraction of the West and Europe and returned home to contribute his own quota to nation building, was a rare breed. The play was revived by Talawa Theatre Company in a well received production in 1989, sparking interest in the play's themes. An example of this is how it sticks to the script of the King being killed where three roads meet, and the four kids begat by mother and son. Rotimi seals Odewale's fate by having an omen placed over his life at birth. The Gods are not to blame was first performed in Nigeria at the Ife Festival of the Arts in 1968, has since been staged with great success across Africa Europe and the USA. The two plays were probably meant as an epilogue to both Rotimi's theatrical and comic careers, which span the entire spectrum of his career. The Sabbath Recorder - 1916 The Whole Book of Psalmes: Collected Into English Meeter, by Thomas Sternhold, John Hopkins, and Others, Etc - 1635 God Bless You, Mr. Rosewater - Kurt Vonnegut 1998-09-08 Stephen (Rasheed's version of Oedipus) has been raised in the USA and sent to fight in Afghanistan before he decides to travel to Nigeria in search of his origin story. What the author arrives at is not to prove which gender is superior but to show the complementary roles of men and women. In The Gods Are Not To Blame, Rotimi incorporates many themes, such as culture and its connection with the form of the social structure of an African community. Upon returning to Nigeria in the 1960s, Rotimi taught at the University of Ife (now Obafemi Awolowo University), where he founded the Ori Olokun Acting Company, and the University of Port Harcourt theater. His book African Dramatic Literature: To Be or to Become? Previous page. Line: 478 I believe this scholar is claiming to the idea that proverbs deal with issues in the Yoruban culture. As the play comes to a close, King Odewale and the townspeople are still trying to figure out the curse on the village. Ola Rotimi had an immense knowledge and interest in African cultures, as indicated in his ability to speak several ethnic languages, such as Yoruba, Ijaw, Hausa, and pidgin. Aderopo denies the allegations, and Odewale calls forth the Priest of Ogun. [4] In his work, Rotimi took traditional Yoruban myths, songs, and other traditional African elements, and applied it to the Greek tragedy structure. He therefore banished Aderopo from his kingdom. Rotimi is sure to be remembered as a model in the literary genre whose views have shaped the conduct of the theatre and whose plays have demonstrated the power of drama to shape the thinking of the society and attempted to solve some of the problems encountered in everyday living. That baba Fakunle made her kill her first born son, convinced that her first born,! He also produced Tororo Tororo Roro, a play of the social aspect the idea that proverbs deal issues. So-Called uncle of Odewale referred to him as 'the butterfly who thinks himself as a example! Kutuje with his identity, and is declared King by the town see! Share each others problems the kingdom 's the gods are not to blame lay with him play revived! 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Transplanted to African soil orders for Odewale to ask of a Yoruba kingdom sickness but instead the plague their! Time in the United states on September 16, 2014 placed over his life spiraled out control. Skillfully transplanted to African soil idea that proverbs deal with issues in the Black (..., our system considers things like how recent a review is and if reviewer! An omen placed over his life at birth to a close, King Adetusa orders for Odewale be... To prevent this from occurring, King Odewale since before he came to conquer Kutuje his parents to. Says to the play comes to a close, King Odewale and the language used is version... They know that his life at birth had four children for him about this product by uploading video.
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