Laßt uns mit diesem Manne ziehn! Ascolta senza pubblicità oppure acquista CD e MP3 adesso su Amazon.it. The oboe’s line, with its compressed and rhythmically fluid playing, sounds more like a series of ornaments than like a melody. Richter’s emphasis on serenity is even more prominent later on. bwv 82 kantatenich habe genug dietrich fischer-dieskaukarl richter [1] The "joyful longing for the hereafter" is expressed by "agile coloraturas that characterize the entire movement". Herreweghe (like Harnoncourt) brings out the oboe quite stridently at this point, and he also renders the string figure with harsh, detached sforzandi (as he has done in earlier appearances of this figure). 82 : Ich habe genug = It is enough : BWV 82. : Cantata, Ich habe genug, BWV 82: "Ich freue mich auf meinen Tod" is a popular song by Nikolaus Harnoncourt | Create your own TikTok videos with the Bach, J.S. Find album reviews, stream songs, credits and award information for Bach: Kantate "Ich habe genug" BWV 82; Brahms: 4 ernste Gesänge & 10 Lieder - Hans Hotter on AllMusic - 1989 Kantate Nr. It would be fascinating to examine the extent of text/music tension here, and its role in the construction and interpretation of the cantata as a whole. It is curious to note, though, that Herreweghe follows this with a beautifully hushed rendition of the final ritornello, reminiscent of Fischer-Dieskau’s dolce passages. To my hearing, at least, these three ritornelli and vocal entries already establish different affekts for this movement. früh genug habe ich dann gemerkt, dass techno das einzig wahre für mich ist. Need to translate "ICH HABE GENUG VON EUREN" from german and use correctly in a sentence? The final aria is faster, marked "vivace". 2, Recitativo - "Ich habe genug" di Gewandhausorchester Leipzig & Kurt Thomas Hermann Prey su Amazon Music. This caution is partly due to the fact that I do not have the necessary background information on the performers’ intentions. [2], The first movement, an aria, begins with an expressive melody of the obbligato oboe which is picked up by the voice on the words "Ich habe genug" (I have enough). Ascolta senza pubblicità oppure acquista CD e MP3 adesso su Amazon.it. "Ich habe genug," Cantata, BWV 82. Klar würde ich auch gerne einmal den K 2 besteigen, aber ich habe nicht genug Geduld, um für so eine lange Expedition ausreichend zu trainieren. He composed the solo cantata for bass in Leipzig in 1727 for the Feast Mariae Reinigung (Purification of Mary) and first performed it on 2 February 1727. Scopri Ich habe genug, BWV 82: No. 5 in C Minor, Aria (bass): Ich freue mich auf meinen Tod is a popular song by Thomanerchor Leipzig & Gewandhausorchester & Kurt Thomas & Hermann Prey & Willy Gerlach & Siegfried Arnold & Heinz Morawietz & Hannes Kastner | Create your own TikTok videos with the Ich habe genug, BWV 82, IJB 308: No. from Wachet auf, ruft uns die Stimme, BWV 140. [3], A short secco recitative, beginning "Mein Gott! Descrizione. When I claim that certain performers highlight or disguise certain elements, I do so solely on the basis of my understanding of their performance, as preserved on record. His lines normally sound rounder even than Richter’s, not to mention Harnoncourt’s. "[3] He sees the "flowing oboe arabesques", which the singer imitates twice on the word "Freude" (joy) as a "clear indication that their expressive function is to proclaim the Christian's personal bliss, an inextricable element of this important experience of life". Recitativo Ich habe genug. Mein Trost ist nur allein, dass Jesus mein und ich sein eigen möchte sein. In the passage I described earlier in the Richter/Dieskau reading, Huttenlocher actually increases the volume in the “Ich habe genug” in bb. 1. It is one of the five cantatas written for this feast day. [1], Bach first performed the cantata on 2 February 1727. He composed the solo cantata for bass in Leipzig in 1727 for the Feast Mariae Reinigung (Purification of Mary) and first performed it on 2 February 1727. Here, as in other structural key points in the aria, the bass’s “Ich habe genug” silences all instruments except the continuo, which supports the singer with an authentic cadence. möchte mich von meines Leibes Ketten Der Herr erretten; Ach! [4], The cantata in five movements is scored for bass, oboe, two violins, viola, and basso continuo. Also, ich habe genug davon, dass du mir sagst, ich sei eifersüchtig. 2. It is enough. : Mein Herze Schwimmt Im Blut / Ich Habe Genug (Kirby) Emma Kirkby. Sunday, January 31, 2021, 3:45 PM - 5:15 PM. In a complex structure, it is not only a da capo aria of three sections framed by a ritornello of the strings, but repeats the first section in the center of the middle section. Johann Sebastian Bach (1685-1750)Cantata BWV 82: Ich habe genug (2 February 1727)1. German libretto at U. Alberta. 2. Rezitativ Ich habe genung. BWV 82 ; BC A 169a-d I-Catalogue Number I-Cat. I stated here that the Richter/Dieskau performance seemed to conceal elements in the music, which – when put in those terms – sounds like a criticism. The middle section stresses the words "Laßt uns mit diesem Manne ziehn!" Ich habe genung, ich habe den Heiland, das Hoffen der Frommen, auf meine begierigen Arme genommen; ich habe genung! 4:01 PREVIEW 17 SONGS, 53 MINUTES. [literary] Ist das schlagkräftig genug? 163-164 (where Dieskau did the reverse), thus building up towards the “Freude” melisma; and this in turn leads to the sharp accentuation on “scheiden” and the final ritardando on “Ich haben genug”. (Incidentally, Dieskau does highlight these elements when they are directly mentioned in the later arias). Philippe Huttenlocher (bass) & Jürg Schäftlein (oboe) / Concentus Musicus, Wien / Nikolaus Harnoncourt. The city was, at the time, a leading regional trade center, comparable to Hamburg or Frankfurt-am-Main. No. 2. Get this from a library! 82 "Ich habe genug"; Brahms: Vier ernste Gesänge; 12 Lieder - Hans Hotter on AllMusic - 2004 The only similarity between them is that they both employ the detached articulation prescribed by Bach, but they deploy it to contrasting effect. "Ich habe genug," Cantata, BWV 82 Johann Sebastian Bach's (1685-1750) long career in German-speaking central Europe culminated with his move to Leipzig in 1723. Ich habe genug, Ich habe den Heiland, das Hoffen der Frommen, Auf meine begierigen Arme genommen: Ich habe genug! Archiv Produktion. Kantate BWV 82 “Ich habe genug” Autore: Alfeyev Hilarion, Russian National Orchestra, Genz Stefan Perhaps I could end by mentioning one more point. Lorraine Hunt Lieberson (1954-2006) J.S.BACH - Cantate n° 82 "Ich habe genug" 1. Ich Habe Genug. His steady, secure rendition of the final, melismatic “Freude” (example 2 in your handout) brings out what several commentators called a joy motive. In a more equivocal manner, Ludwig Finscher spoke of “an intensity of text interpretation which does not let up for an instant”, and which reflects “the introversion and fervent, mystically-hued yearning for death in the text”. Ich habe genug gegessen. By Johann Sebastian Bach Hans Hotter, Philharmonia Orchestra, Anthony Bernard & Sidney Sutcliffe. housefloor.de i have been in the electronic scene as a dj for many years now and i have played alongside almost all of the major djs. As one of the best known of Bach's church cantatas, set for both a male and a female soloist, it is "the most frequently recorded of all the Bach cantatas over a period of more than sixty years",[3] with 101 complete recordings listed, and several more of individual movements, especially the version from Anna Magdalena Bach's notebook. German libretto at U. Alberta. Rezitativ Ich habe genung. Ich habe genug (original: Ich habe genung, English: "I have enough" or "I am content"), BWV 82, is a church cantata by Johann Sebastian Bach. Yet I found it at least as moving and convincing as the other two (in fact, I would hate to place any of them above the others). The work is a retelling of the story of the old man Simeon who, waiting in the temple, was presented with the baby Jesus. In this passage, they are superimposed on the “Hoffen” melisma. Other cantatas that Bach performed for the occasion are, according to Alfred Dürr, Komm, du süße Todesstunde, BWV 161, Ich lasse dich nicht, du segnest mich denn, BWV 157, and Der Friede sei mit dir, BWV 158, with similar topics. To my ears, it sounded like overcoming doubts (the latter possibly represented by the orchestra), thus pointing the way towards one interpretation of the text/context incongruity. [2] The first recitative and most of the aria Schlummert ein were copied to the Notebook for Anna Magdalena Bach[2] in a version with continuo accompaniment, presumably entered by Anna Magdalena Bach for her own use. come), ends with a downward continuo line, suggesting both "taking one's leave and being lowered into the welcoming grave". 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