Excerpts from an interview with John Entwistle and Pete Townshend conducted June 18, 1967, in San Francisco, just prior to the Who’s appearance at the Monterey Pop Festival. Later sold by Alan Rogan to a Canadian band called Sheriff, who stenciled their name on the back. Sound City, the precursor to Hiwatt, produced customized L100 amplifiers later that year for Pete Townshend. I don’t mean it’s bad stuff: I just mean I didn’t like the sound. The guitar model Pete Townshend used ... Click to view larger version. He began using the Hiwatts model after using modified Sound City L100 SC105 amplifiers with Hiwatt badges, which he used beginning late 1968. 1967, close-up of two of John’s Sound City L100 customised control panels, showing control configuration, from left to right: four inputs, Vols. [CDATA[ Click images to view larger versions. In fact, I never used Marshall in the beginning at all. Hiwatt DR103 with CP103-style four-channel customisation Courtesy Alarm and Gene Loves Jezebel Guitarist James Stevenson. All that should change is the amount of sustain, in my opinion. Sunn Coliseum Slave power amp is for monitoring Entwistle’s bass signal. 1967, two customised Sound City L100 amplifiers, each with different blockscript Sound City nameplate badge; topped by a Grampian Reverb unit. 892, courtesy Brad Rodgers, whocollection.com. Courtesy Cooper Owen and Hiwatt Story
Shrine Auditorium in Los Angeles on 28 June, The Dome, Virginia Beach, Virginia, 20 July 1968, vintageamps.com/plexiboard/viewforum.php?f=9, Pete Townshend Gear History – Full timeline, 1956 Gibson Les Paul Custom “Black Beauty”. “In practical terms,” begins Pete, “I look for strength first, and a solid line from tailpiece to headstock — and that all components in that pathway be of high quality and super strength. The first actual Hiwatt-labeled models featured the same circuit as the CP103 but did not feature the “The Who” branded control panel faceplate. Well, it was a brilliant amp very loud and quite trebly sounding with a sharp edge/presence and as a Who fan I did a lot of heart-searching before I put it into Christie’s, but it was time for a change of guitar setup and I could not afford to keep it given it was now a valuable item and gigging it was a concern. Sold. The guitar model Pete Townshend used (and abused) exclusively on stage from mid-late 1968 until 1971, and the guitar with which he’s most famously associated.This guitar model was used for the famous late ’60s/early ’70s live recordings, including Woodstock, Live at Leeds and Isle of Wight, as well as the recordings of Tommy and The Seeker. Click image to view larger versions Courtesy Mark Huss’ Hiwatt Legacy: hiwatt.org. Most recently, Pete Townshend has been using 50 watt Hiwatt Custom amplifiers with custom made cabinet stacks, paired with 60 watt Fender Vibro-King stacks. Then sold to a buyer in the UK who ended up selling it to MusicGround, Leeds, UK. PT: I use the input full up to get the distortion and then turn the guitar down to control the amount of distortion from the guitar. (Photo: SoundCityChris). It’s funny, because I was just looking for a Hiwatt, because my former band had a couple of them and I loved them, and you could pick them up in the UK for about £200–300. // ]]> -->. document.write('Photo: Barrie Wentzell'); Pete Townshend’s Hiwatt Cabinet 2 . Modèle : Hiwatt DR103 Custom Head Année : 1975 Prix : VENDU. Location: zeeland. Wow. Ca. I thought Marshalls were awful, and I’m afraid I still do, although that’s just a personal opinion. 1982, with two CP103 amps topped by Roland SDE-2000 DDL digital delay. . [CDATA[ Instrument De Musique : Flûte Traversière - Hiwatt / Ecouvillon. Peter Dennis Blandford Townshend plus communément appelé Pete Townshend né le 19 mai 1945 à Chiswick (Londres), est un guitariste, chanteur et auteur-compositeur de rock britannique, membre fondateur, leader et principal compositeur des Who.En 2003, le magazine Rolling Stone l'a classé 50e meilleur guitariste de tous les temps. Click images to view larger versions Courtesy Tony Caprara. [CDATA[ Information I've been able to gather indicates that this is closely coupled with the previous P.T. En 2011, il sera à la de ce même classement. Boost for the birdman/feedback bits with a Univox Superfuzz (or shin ei/Companion version). // ]]> -->. Ca. I’ve had a wide variety of guitars; one of the best was a Gibson Stereo; I shoved it into the amp, once, and it broke. Some with Hiwatt-style chicken-head knobs; others with flat, round knobs. Guitar is SG Special, and pedal is Univox Super-Fuzz. // ]]> -->. 60's Bassman into a 4/12" wired for 4 ohms at about 3 O'clock. Guitar is 1968 Gibson SG Special. IIRC, Hiwatt began as Sound City modified to Pete's specs. See the latest items on the homepage. Reactions: TA22GT, supergenius365 and RAG7890. Photos courtesy Steve. the sound was super close. This is much later, but all I know is once I found the Hiwatt amplifier I stuck with it. 21 Aug. 1972, KB-Hallen, Denmark, typical stage setup of Pete’s rig. 1970 Hiwatt CP103 Ex Pete Townsend . Thanks to the following for assistance with this page: This information, along with all other content included in Whotabs, is intended for private study, scholarship or research. Was over $3000 new. February–March 1969, recording sessions for Tommy, with Pete playing a 1968 Gibson SG Special. Effects pedal is Univox Super-Fuzz. Non-Whotabs links are provided for informational purposes only and are not controlled or monitored by Whotabs. For more, see Terms of Use. The Genius Of Pete Townshend - The Who / CD. This amplifier appears to be similar or identical to the CP103 amplifiers that Pete used from 1971 though it has not been verified as an actual Who-owned unit. Reeves construisait des amplificateurs pour guitares électriques pendant son temps libre dans sa maison, en Surrey, Royaume-Uni [1].. Les amplificateurs gagnèrent en qualité, et Hiwatt gagna en réputation. Pete’s Pete Cornish piezo/magnetic splitter box. Guitar is Les Paul Deluxe. They’d had The Beatles, the Stones and The Animals, what could possibly follow that? On the suggestion of some of the guys on Plexi Palace, I've been running a pair in my DR504 for the last few weeks, and have about 12-15 hours on them. Pete stated he thought is was genuine and said it was probably “borrowed” as they had lost a lot of equipment in that period; however, he did not ask for it back! Ca. These amps were customised for Pete and John by Dave Reeves of Hylight Electronics, the maker of Hiwatt amplifiers (and who originally worked at Sound City, a division of Dallas Arbiter), presumably to what would be the CP103 specification. # Publié par pete townshend le 06 Jul 06, 07:02 am J'ai remarqué, à mon grand étonnement, qu'auncuns clubs n'existaient pour les Hiwatt. PT: I’ve tried various speakers in the cabinets but I couldn’t tell you what’s in them now. They re-covered and re-plated the amp for me using original rexine and nameplates by an ex-Hiwatt employee. [CDATA[ [CDATA[ Rickenbacker Guitar Tell Me Now Power Chord Pete Townshend Rock N Roll Music Back In The Day The Rock Cool Bands Singer I can get away with anything because the amps are so good. 4 photos. By the end of the set, the amps are full on.”. , Ca. Non-Whotabs links are provided for informational purposes only and are not controlled or monitored by Whotabs. It had been in the shop a while and they could not sell it. , 2 Aug. 1968, the Singer Bowl, New York, with two customised Sound City L100 amplifiers, with four Sound City 200w 4×12s with herringbone grillecloth. Despite the apparent randomness, Pete Townshend is actually quite selective and specific about his guitars. Messages 1,201. Click to view larger versions. Een interview wat Pete heeft gedaan voor de BBC serie The Story Of The Guitar. Townsend: I have a Fender Stratocaster, a Telecaster, and I did have a Jazzmaster, one which I quite liked, but it got nicked . DAMN! The May 8 Royal Albert Hall picture in particular looks like a Hiwatt advert! I think we all helped one another, and it was like a tidal wave. Description : Aux côtés des Marshall, Matamp, Orange et Vox, Hiwatt est une légende des amplis british. 1969. I thought Marshalls were awful, and I’m afraid I still do, although that’s just a personal opinion. The two amplifiers employed each drive one or both (when not dummies) of the top two SE1123 4×12s. The amplifiers with black control panels in the photos here are actual Hiwatt CP103 amplifiers, with “The Who” faceplate, which Pete began using in early 1970. I think they built 4 or 2 promotional cabs, when they did their “Townshend” signature series. From left to right, the controls: Early versions had various block script Sound City nameplate badges, but beginning in late 1968, the badges were removed so that some were unbadged and some featured Hiwatt nameplate badges. The Who mention Hiwatt amplifiers in the song "Long Live Rock". A Hiwatt CP103 amplifier, owned by Olle Lundin, author of “The Who In Sweden.”. February–March 1969, recording sessions for Tommy, with unbadged customised Sound City L100 amplifier head, with Hiwatt-style chicken head knobs. Ca. These were later used by Jimi Hendrix for a brief period. Top amp: Sound City L100; bottom two amps: customised Hiwatt DR103, customised to the CP103 specification. At which point Pete began regular use of Sound City gear in the U.S., with the first known date at The Dome, Virginia Beach, Virginia, 20 July 1968. However, when I play solos, I like sustain, so a well-matched guitar and amplifier is the key, one in which the treble doesn’t change — up or down — when you change the level of the guitar into the amplifier. . Same circuit specification that would be used in the. Peter Dennis Blandford"Pete"Townshend(born 19 May 1945) is an English rock musician,multi-instrumentalist, vocalist, songwriter and author, known principally as the guitarist and songwriter for the rock groupThe Who, as well as for his own solo career. Click to view detail. Super rare discontinued Hiwatt CP103 / SSP103 Who Pete Townshend signature series handwired custom shop model from the early 2000's. Onstage we start off at volume 2, maybe 2½. The reason I sold it? Label: Hiwatt - GS6575-ABCDE • Format: 5x, CD Compilation, Unofficial Release • Country: Japan • Genre: Rock • Style: Mod, Pop Rock, Classic Rock Pete Townshend - The Genuine Scoop (2003, CD) | Discogs Pete Townshend a été aussi le premier à placer des boucles sonores de synthétiseurs sur des chansons rock (album Who's Next en 1971, Won't Get Fooled Again et Baba O'Riley) et à écrire des opéras rock (la chanson A Quick One, While He's Away en 1966, préfigurant Tommy en 1969). Click to view larger version. All quotes and references are copyright their original owners and are included for reference only. document.write('Photo: Graham Lowe'); Guitar is a Gibson Les Paul Custom “Black Beauty.”, 30 August 1969, second Isle of Wight show. I contacted the owner, who told me that he bought it from Arnold & Morgan’s in Dallas, Texas. Guitar is Gibson SG EDS-1275 double-neck. 2 Aug. 1968, at the Singer Bowl, New York, with two customised Sound City L100 amplifiers, with four Sound City 200w 4×12s with herringbone grillecloth. HIWATT AMPS. 1978, closeup of DR103W amplifier showing differing control panel from CP103, including Normal Vols. Spring 1969, recording sessions for Tommy, with unbadged customised Sound City L100 amplifier head, with Hiwatt-style chicken head knobs and control panel inscription taped over. Photos courtesy Brad Gray. He is co-founder, leader, principal songwriter, guitarist and secondary lead vocalist of the Who, considered to be one of the most important and influential rock bands of the 20th century. It seems that the amp has been used with another (HM-hard rock) band, as it is tagged on one side? Jimi and his manager Chas Chandler had previously come to see me to ask about buying amps. Ca. I still think it’s hard to beat Fender amps; they’re astonishing. 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