47 Horror Anthology films sorted alphabetically from A-Z Click any of movies below to see that films' synopsis, plot, cast/actors, directors, full poster, movie trailer, and review. Mass consumers of horror famously love to find films to hate. Los Angeles Times. Their anthology horror films, such as Dr. Terror’s House of Horrors, have a disarmingly simple quality to them—less the stately, stuffy gothic horror of Hammer, and more a continuation of the violent, ironic and comical horror stories seen in American E.C. Directors: Federico Fellini, Louis Malle, Roger Vadim | Stars: Jane Fonda, Brigitte Bardot, Alain Delon, Terence Stamp. The film weaves together nine standalone, yet interconnected, horror storie… Dead of Night (1945) helped to popularize the format for horror anthology films—although they had existed as far back as Unheimliche Geschichten(1919) or Waxworks (1924)—and British company Amicus made several such films in the 1960s and 1970s. At the very least, the second film contains what might be the single best segment in the entire series, Eduardo Sanchez’s “A Ride in the Park.” Without giving everything away: It involves bicyclists, zombies and helmet-mounted GoPro cameras, which help give us a perspective we’ve never really seen in horror while deftly avoiding the question of “Why would anyone be filming this?” There’s still some not-great segments—really the ideal V/H/S would be a compilation that takes only the best segments from each entry to create a really solid horror anthology. See more ideas about anthology film, horror, horror movies. Acteurs: Alex Vincent 4.0 5. That’s where this Poe horror anthology comes in. Britain’s Amicus Horror Productions were a natural fit to take a crack at Tales from the Crypt in 1972, being a studio that specialized in horror anthologies, and although the comparatively lackluster Crypt Keeper will have you missing the more charming puppet host-to-come, the stories are bloody good fun. The works of Takashi Miike and Park Chan-wook need little introduction—here, they largely play to their strengths, although Miike’s “The Box” represents the film’s strangest, most avant garde segment, a dreamy story of identity and memory that is open to some interpretation. Reducing the number of stories from five to three puts more weight on each individual entry; “Old Chief Wood’nhead” and “The Hitch-hiker” each have their moments, the first feeling like an HBO Tales from the Crypt episode and the latter like a Twilight Zone bit. It’s like someone reimagined Tom and Jerry as a horror film. Normally composed by three or four short films interwoven by a primal or frame story, anthology horror films tend to find the positive reception and even critical acclaim commonly unusual in the genre. One of Stephen King’s most simple stories makes for superb anthology content, with a premise that just can’t be beat: A group of teens are trapped on a raft in the middle of a lake, stalked by a blob-like creature that dissolves everything it touches, with spectacularly gory results. That’s the hook on which Ghost Stories hangs its ghastly musings, the thing we expect the film to circle back to once Goodman completes his inquiries and renders his verdict on the authenticity of each incident. Votes: 5,669 “Amelia” remains the highlight, in a cheesily ’70s sort of way. A prototype for horror anthology movies, this British film inspired the '90s HBO TV show and embodied the devilish anthology success of Amicus Studios during the '60s and '70s. Anthologies of Terror 2018: 70 Horror Anthology Films Analyzed: 3: Hutchison, Steve: Amazon.nl Indeed, the band in question famously took their name from this celebrated anthology film, which spins three tales of Mario Bava-directed horror. —Jim Vorel, Directors: Radio Silence, Roxanne Benjamin, David Bruckner, Patrick Horvath, Tricksters and demons, vengeful spirits and serial killers, the hope of salvation and the lingering presence of Satan: These are the things that anthology film Southbound is made of. As an abstraction, that sounds like a stairway leading to Frank Capra levels of sentimentality: By wrestling with his skeptical biases, Goodman will confront his buried feelings about his dad and reconcile with his past. It helps that there are common themes that run across the film—loss, regret and guilt make up a repeated refrain—and that the sum of its parts adds up to an examination of how people unwittingly architect their own suffering. Amicus is almost certainly the only film production company that has ever specialized specifically in horror anthologies, and Dr. Terror’s House of Horrors is particularly memorable for its framing device, in which a wonderfully costumed Peter Cushing (he looks so, so cool here), as “Dr. It’s fun to watch Body Bags today for the not-so-subtle genre references (“Another grisly murder in Haddonfield today…”) and the incredible array of character actors and cameos that were lined up, including the likes of Wes Craven as a leering perv, Stacy Keach as a guy receiving miracle hair transplants, Charles Napier as a baseball manager, Twiggy as a housewife (reuniting these two from The Blues Brothers), Roger Corman as a doctor, Tom Arnold as a mortician and Sam Raimi as a corpse. The fourth, and by far the weirdest, entry, “In a Cup of Tea,” is a tale within a tale, purposely unfinished because the writer (Osamu Takizawa) who’s writing about a samurai (Noboru Nakaya) who keeps seeing an unfamiliar man (Kei Sato) in his cup of tea is in turn attacked by the malicious spirits he’s conjuring. Terror,” deals out tarot cards to the other passengers of his train car, telling them how each will die. More interesting is the framing device itself, which sees a young woman lured into an abandoned theater, where a puppet (played by none other than Udo Kier) tells her stories as the two begin to metamorphosize. XX stands apart from other horror films because it invites its audience to feel a range of emotions aside from just fright. ... A horror-comedy anthology comprised of four gruesome shorts. Want more terrifying movies? Anthology film from three European directors based on stories by Edgar Allan Poe: a cruel princess haunted by a ghostly horse, a sadistic young man haunted by his double, and an alcoholic actor haunted by the Devil. Arguably the Casablanca of horror anthology films, Dead of Night showcases a strong handful of creepy and darkly amusing tales, but it’s probably best remembered for its masterful story about a ventriloquist who is convinced that his dummy is not only alive but incredibly malicious. He’s haunted, too, but mostly by his memories of growing up with his rigid, borderline abusive and presently deceased father. Originally conceived as a gorier, more grotesque spin on the Tales From the Crypt formula for Showtime, the series was cancelled after only a few potential episodes had been filmed. Will the kids survive, or will they all be reduced to a pile of bones on the bottom of the lake? Metro Kathalu. The film weaves together nine standalone, yet interconnected, horror storie… From pioneering works and cult horror classics to modern-day nightmares, here are the best horror anthology movies you need to see. Midnight Marquee Press. —Jim Vorel, Directors: Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg, Radio Silence, Worth repeating: Horror anthologies are, by nature, almost always uneven in terms of quality, but if there’s one constant, it’s that fewer is better than many. Willemin, Paul. Votes: 5,388 A highlight is the segment directed by American cartoonist Charles Burns (of Black Hole), in which a man’s body is slowly corrupted by his girlfriend, who has become the host for a malevolent insect entity. —Jim Vorel, Transferring the formula established by Tales From the Crypt and other adaptations of classic EC Comics series to the inner city, Tales from the Hood was always bound to stand out as a unique entry in the horror genre. Horror Anthology Film, Los Angeles, California. Most of them are good, but Tales from the Crypt, based on the legendary EC Comics series, is perhaps the best. Compra J Horror Anthology Underworld. Horror Anthology Films. Anthologies of Terror 2019: 86 Horror Anthology Films Analyzed: 4: Hutchison, Steve: Amazon.nl —Jim Vorel, Directors: Fruit Chan, Park Chan-wook, Takashi Miike, Three… Extremes represents an impressive collaborative effort to highlight East Asian horror in an era when the region’s horror films were scoring high-profile western remakes, incorporating segments by directors from three separate nations. To say any more would be to spoil this fascinating and subversive take on the vampire story, an absolute essential totem of the horror genre. SEASONS (2021) is an epic new anthology horror film from Subsoil Films. Those passengers include frequent Hammer collaborator Christopher Lee as a stuck-up art critic tormented by a disembodied hand belonging to an artist whose work he unfairly condemned, but each is engaging and moves along briskly. —Jim Vorel, When you’ve produced as much short fiction as Stephen King, have had so many of your novels turned into feature films, it only makes sense that your short stories become fodder for countless anthologies. From these disparate fairy tales, plenty of fodder for campfires, Kobayashi creates a mythos for his country’s haunted past: We are nothing if not the pawns of all those to come before. —Andy Crump, Directors: Ashim Ahluwalia, Can Evrenol, Severin Fiala, Veronika Franz, Katrin Gebbe, Calvin Reeder, Agnieszka Smoczynska, Peter Strickland, Yannia Veslemes, The Field Guide to Evil can boast an attractive central conceit: It’s a set of eight tales all grafted together from lore and the campfire warnings of eras past, in locations all around the globe. Not wanting to lose the material, Carpenter simply assembled his favorites into a feature film (that feels like it was meant to be a film all along). Maybe it’s for the best that the movie never goes there. From Beyond the Grave (1974), Trilogy of Terror (1975), Heavy Metal (1981), Twilight Zone: … It's time to look over some unforgettable collections of savagery and satire. It's time to look over some unforgettable collections of savagery and satire. Using a combination of critical acclaim, impact, and personal bias, I've constructed a list of what I might consider the best anthology horror films. As for which of the first two V/H/S entries is strongest, though, it’s a bit of a toss-up. Ghost Stories (2017) Closer “The Facts in the Case of M. Valdemar” is a bit of a snooze, but middle chapter “The Black Cat” delights, pitting Price (as a snobbish aristocrat wine expert) against a career lush everyman played by Peter Lorre, who promptly runs circles around him in a competitive wine tasting. Southbound’s five individual tales are as tightly interwoven as the seemingly inescapable roads fatefully traversed by characters whose nightmares, secrets and flaws are all exposed in unnerving and … Sly comedy and great performances from an array of familiar faces (Brian Cox, Dylan Baker, Anna Paquin) power each of the segments, and none of them overstay their welcome. One has to wonder if Viral killed this series for good, or whether they’ll eventually act like it never happened and release a straight-up V/H/S/3 one of these days. Somewhat less concerned with outright scares, it’s instead a celebration of Halloween, the idea of the holiday and of fright itself. The film is also odd for the fact that its most acclaimed segment, “The Accident,” is really more of a melodrama than a horror short, out of place with the rest of the film while simultaneously delivering an emotionally powerful tale. "King's 'Cat's Eye' trio dogged by limp pause". have likely never seen before. Director Michael Dougherty’s debut film sat on the shelf after being delayed for years, which was a great shame, as it’s far and away the best horror anthology of the 2000s. That fact does not make it any less of a classic in our eyes. The film is stylishly executed, with delightfully over-the-top performances from pretty much everyone involved, including Corbin Bernsen as a racist Southern senator devoured by living dolls, or Clarence Williams III as the cock-eyed, hilariously sinister mortician who relates the film’s four stories. Though better known for their comedies, Ealing blended humor, terror, and the supernatural for a unique cinematic cocktail that served as the blueprint for every anthology to follow. Comments closed. Dr. Gangrene counts down the top 5 classic horror anthology films. Lovecraft one) that could be successfully adapted into a feature film that would turn a profit. 50:47 [Deleted video] Three Dangerous Ladies (1977 UK Horror Anthology) by Fear Of Ghosts. —Jim Vorel, Directors: John Carpenter, Tobe Hooper, Larry Sulkis, Sometimes, even anthologies with less-than-stellar stories can get by on sheer charming commitment to gross-out delights, and that’s John Carpenter’s Body Bags for you. The strength of King’s source material shines—“Quitters, Inc.” is very creepy, in a dystopian future sort of way, while “The Ledge” is reminiscent of the excellent Creepshow segment “Something to Tide You Over.” Even the new “General” is a silly joy, as it pits its cat (now the film’s main character, as it were) against a tiny little troll/gremlin determined to kill a 9-year-old Drew Barrymore in her sleep. Philippine horror anthology films‎ (1 C, 2 P) S South Korean horror anthology films‎ (6 P) Pages in category "Horror anthology films" The following 11 pages are in this category, out of 11 total. Movies. Anthology seems to be a suitable resort for Horror as a film genre. #top5 #anthology #drgangrene The best is middle chapter “The Wurdulak,” starring horror icon Boris Karloff as a man who sets out to slay an undead creature (the titular “wurdalak”). The UK’s Ealing Studios virtually invented the concept of the anthology horror film with this classy frightener from 1945. They’re appropriately creepy, running the gamut from a tale about the dismembered body of a murdered wife returning to life to seek revenge, to a bizarre little ditty about a scientist seeking to transfer his soul into a tiny, robotic doll. “The Woman of the Snow” follows a craftsman (the always welcome Tatsuya Nakadai) doomed to have everything he loves stolen from him by a patient bureaucratic specter. Although all three segments star actress Karen Black and are based on the stories of Richard Matheson, it’s “Amelia” that captivated audiences: a quirky tale about a young woman who lives alone in a high-rise apartment, where she is menaced by an African “Zuni fetish doll” that magically comes to life wielding a spear and ludicrously large knife.